I thought it was interesting how he said that the cameraman intervenes with what you see in a film but in a painting you see it for all that it is. He explains how a viewer can ponder and contemplate the meaning and feeling of the peice when looking at a painting. However, in a movie you can't grasp a scene for too long before its gone. The constant and sudden change within a film leave you to be distracted from the previous scene and leaves little to the imagination. He thinks this "loss of aura" dulls our perception and instead of recognizing the artwork for what it is, we are distracted and directs your eye towards a specific spot.
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